What a Feature Film Editor Does
Apart From, y’know, Edit ☛ I’ve written much in the past about the art and craft of narrative editing, so I thought I’d focus for a change on the parts of the job that aren’t putting shots together. What follows applies specifically to drama feature film editors. I’m also assuming that the feature film editor … Continue reading
Does your lens policy need renewing?
Which lens to use? The internet is full of advice about which lens is the sharpest or the fastest or the best value for money. Less is said, however, about which focal length to use and when; most people simply adjust the zoom until the shot feels right. A valid approach if time is tight … Continue reading
Conversations with the Invisible Man
Writing Movies Within Your Means, pt. 3 ☛ Previously I’ve looked at how locations can bring down your budget and how to justify shooting on cheaper cameras, but you can also save money through clever use of writing itself. Dialogue When asked why his movies were so dialogue–heavy, indie auteur Hal Hartley quipped “Talk’s cheap”. … Continue reading
Writing Movies Within Your Means, pt. 2
Writing Lighting ☛ In my previous piece I discussed how decisions about the location of your screenplay can help bring the budget down. This time I’ll focus on how your general approach to story can save you money on camera and lighting. Time was that picture quality was the first thing that would tell … Continue reading
Writing Movies Within Your Means, pt. 1
Forget Set and Go ☛ Film is one of the most expensive art-forms, which means getting films made is hard. One way for screenwriters to get their scripts noticed, and for writer/directors to get their first feature made, is to build affordability into the script. The challenge is that with each element you remove from … Continue reading
Inspiring Belief
An Editor’s Guide to Working with a Director ☛ Last time I wrote about how directors should approach working with an editor, this time the shoe is on the other foot. A lot is written online about how editors should work with their editing software – hints and tips. Books on editing have much to … Continue reading
The Way of the Scissor People
How to Work with an Editor ☛ I wrote some time back encouraging directors to work with editors, rather than cutting their own material. My colleagues in the cutting room report that they are working with an increasing number of directors who are using an editor for the first time. Needless to say these first … Continue reading
Film Themes
The importance of theme ☛ I wrote a piece a little time back about the essential elements of any cinematic story, where I claimed that one of the basic building blocks is ‘theme’. At the time discussion of theme got drowned out by arguments about act structure, but I think that there’s more to say … Continue reading
Why we Need to Write Weaker Female Characters
Why we Struggle to Write Good Parts for Women ☛ I had a discussion online the other day with actress Alice Lowe about the portrayal of women on screen. The place of women in the film industry, on-screen and off, is something of a hot topic following the woeful under-representation of women at this year’s … Continue reading
Credits Where They’re Due
Editing tips # 2: Preparing a title sequence Much has been written on the art of the title sequence, and I plan to cover it myself at some time, but first I thought it might be useful to provide a more practical guide to designing a title sequence. As the assistant editor on features, … Continue reading
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Guy Ducker
