The Invisible Art of Editing?

Invisible vs. high-profile editing   I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of … Continue reading

What a Feature Film Editor Does

Apart From, y’know, Edit  ☛ I’ve written much in the past about the art and craft of narrative editing, so I thought I’d focus for a change on the parts of the job that aren’t putting shots together. What follows applies specifically to drama feature film editors. I’m also assuming that the feature film editor … Continue reading

Inspiring Belief

An Editor’s Guide to Working with a Director ☛ Last time I wrote about how directors should approach working with an editor, this time the shoe is on the other foot. A lot is written online about how editors should work with their editing software – hints and tips. Books on editing have much to … Continue reading

The Way of the Scissor People

How to Work with an Editor ☛ I wrote some time back encouraging directors to work with editors, rather than cutting their own material. My colleagues in the cutting room report that they are working with an increasing number of directors who are using an editor for the first time. Needless to say these first … Continue reading

Credits Where They’re Due

Editing tips # 2: Preparing a title sequence   Much has been written on the art of the title sequence, and I plan to cover it myself at some time, but first I thought it might be useful to provide a more practical guide to designing a title sequence. As the assistant editor on features, … Continue reading

Has a Line Been Crossed?

Directing tip # 1: Crossing the Line The first rule of filmmaking most students learn in film school is ‘don’t cross the line’. I’ve met those who see this rule as one of the few inviolable principles of directing for the edit, and others who think that movie grammar has outgrown this quaint prohibition. I’m … Continue reading

Coming Soon…

The art of the trailer ☛ I’ve always been a sucker for trailers. They invite you to experience all the excitement of a feature film in a couple of minutes, and you get to fill in the gaps with your imagination. As a kid I often found them more fulfilling than the film I’d come … Continue reading

Rekindling Old Frames

Deleted Scenes ☛ I’ve recently locked picture on the movie Sparks and Embers and it’s fallen to me to prepare the deleted scenes. As the editor, I work with the audience in mind so, when deciding which scenes to recommend including, I found myself wondering: what do people get from watching deleted scenes? To answer … Continue reading

A Tale of Two Festivals

A report from the BBC Drama Writers’ Festival and EditFest ☛ This summer has seen me hitting the festivals in force. Muddy boots, bracelets and dream-catchers have been absent from my festival experience however (although there have been lengthy queues for the loo). The festivals I’ve attended have been the BBC Drama Writers’ Festival in … Continue reading

The Scissor Supremacy

What shot next? ☛ Last time I asked my panel of expert film editors how they decided where to cut. This time, in the last installment of this three-part interview, I’m asking them how they decide what should be the next shot. Assuming that the director has given us a choice of different camera angles, … Continue reading

  • Enter your email address to follow this blog and receive notifications of new posts by email.

    Join 1,371 other followers