Writing Movies Within Your Means, pt. 2

Writing Lighting ☛   In my previous piece I discussed how decisions about the location of your screenplay can help bring the budget down. This time I’ll focus on how your general approach to story can save you money on camera and lighting. Time was that picture quality was the first thing that would tell … Continue reading

Seeing Double

How and why two-handers work ☛ I attended screenings of three very different films last week, not realising that they had one thing in common: they were all British and made for less than £500k ($800k), but the most interesting similarity was that all three decided to restrict the scope of their story to following … Continue reading

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