Seeing Double

How and why two-handers work ☛ I attended screenings of three very different films last week, not realising that they had one thing in common: they were all British and made for less than £500k ($800k), but the most interesting similarity was that all three decided to restrict the scope of their story to following … Continue reading

Stanislavski for the Steenbeck

Acting for the edit ☛ One of the things I love about editing is the sense of being a craftsman. You may not physically handle the material, but the set of rushes for each film feels like it has its own texture. It might be pliant, allowing you to cut it in any way you … Continue reading

  • Enter your email address to follow this blog and receive notifications of new posts by email.

    Join 765 other followers