The Spielberg Supremacy ☛ Last week Steven Spielberg called for a tightening of the rules of the American Academy, which awards the Oscars, to prevent films like Roma, which is backed by Netflix, being eligible in future. Now BAFTA is also feeling the pressure, with two cinema chains – VUE and Cineworld – protesting over the eligibility […]Read More When is a Movie not a Movie?
In Which the Writer has a Kodak Moment ☛ Film is dead. It was coming for a time: when I left film school I got a lot of work as a 1st assistant editor because I was good at hand-holding editors who were being forced to stop cutting on 35mm. That was the late 90s. […]Read More The Return of the Reel
Invisible vs. high-profile editing I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of […]Read More The Invisible Art of Editing?
How to Make your Protagonist Engaging I don’t think I’m the only screenwriter to be frustrated when I’m given the note “Couldn’t the main character be… just a bit more likeable?” My frustration comes partly from the fact that a lot of my protagonists are intentionally not conventionally likeable, and partly from the note having […]Read More The Root of Rootability
Which lens to use? ☛ The internet is full of advice about which lens is the sharpest or the fastest or the best value for money. Less is said, however, about which focal length to use and when; most people simply adjust the zoom until the shot feels right. A valid approach if time is […]Read More Does your lens policy need renewing?
Writing Lighting ☛ In my previous piece I discussed how decisions about the location of your screenplay can help bring the budget down. This time I’ll focus on how your general approach to story can save you money on camera and lighting. Time was that picture quality was the first thing that would tell […]Read More Writing Movies Within Your Means, pt. 2
Forget Set and Go ☛ Film is one of the most expensive art-forms, which means getting films made is hard. One way for screenwriters to get their scripts noticed, and for writer/directors to get their first feature made, is to build affordability into the script. The challenge is that with each element you remove from […]Read More Writing Movies Within Your Means, pt. 1
A guide to writing walk-on roles for the screenRead More Looking After the Little Fella
Editing tip # 1: Jump cuts Regular readers may be wondering about the recent silence from the Cutting Room Floor: I can report that an exceptional run of work has stopped play. I’m working hard editing a feature film called We Still Kill the Old Way directed by my friend and colleague Sacha Bennett. In […]Read More Jump Around!
The art of the trailer ☛ I’ve always been a sucker for trailers. They invite you to experience all the excitement of a feature film in a couple of minutes, and you get to fill in the gaps with your imagination. As a kid I often found them more fulfilling than the film I’d come […]Read More Coming Soon…