The Root of Rootability

How to Make your Protagonist Engaging I don’t think I’m the only screenwriter to be frustrated when I’m given the note “Couldn’t the main character be… just a bit more likeable?” My frustration comes partly from the fact that a lot of my protagonists are intentionally not conventionally likeable, and partly from the note having … Continue reading

Can movies cause political change?

Covering how to found a country and the devastating power of the ordinary. In the light of recent and possible future events I have been doing some soul-searching about my filmmaking. The not-so-gradual rise of the far right, both in Europe and America, has lead me to question whether there’s more I could be doing … Continue reading

Conversations with the Invisible Man

Writing Movies Within Your Means, pt. 3 ☛ Previously I’ve looked at how locations can bring down your budget and how to justify shooting on cheaper cameras, but you can also save money through clever use of writing itself. Dialogue When asked why his movies were so dialogue–heavy, indie auteur Hal Hartley quipped “Talk’s cheap”. … Continue reading

The Way of the Scissor People

How to Work with an Editor ☛ I wrote some time back encouraging directors to work with editors, rather than cutting their own material. My colleagues in the cutting room report that they are working with an increasing number of directors who are using an editor for the first time. Needless to say these first … Continue reading

Why we Need to Write Weaker Female Characters

Why we Struggle to Write Good Parts for Women ☛ I had a discussion online the other day with actress Alice Lowe about the portrayal of women on screen. The place of women in the film industry, on-screen and off, is something of a hot topic following the woeful under-representation of women at this year’s … Continue reading

Looking After the Little Fella

A guide to writing walk-on roles for the screen

Has a Line Been Crossed?

Directing tip # 1: Crossing the Line The first rule of filmmaking most students learn in film school is ‘don’t cross the line’. I’ve met those who see this rule as one of the few inviolable principles of directing for the edit, and others who think that movie grammar has outgrown this quaint prohibition. I’m … Continue reading

Jump Around!

Editing tip # 1: Jump cuts Regular readers may be wondering about the recent silence from the Cutting Room Floor: I can report that an exceptional run of work has stopped play. I’m working hard editing a feature film called We Still Kill the Old Way directed by my friend and colleague Sacha Bennett. In … Continue reading

Coming Soon, part II

How to make an industry trailer ☛ My last piece was about the trailers that show in cinemas, the ones the public gets to see. However, before a movie’s theatrical trailer or even its teaser has hit the big screen, there may have been a couple of promos already cut for that film. Indeed new … Continue reading

Coming Soon…

The art of the trailer ☛ I’ve always been a sucker for trailers. They invite you to experience all the excitement of a feature film in a couple of minutes, and you get to fill in the gaps with your imagination. As a kid I often found them more fulfilling than the film I’d come … Continue reading

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