When to hold back ☛ One of the basic tenets of the industry that has grown up to help screenwriters with their scripts is: make your story as emotional engaging as possible. It’s not bad advice: well-written, emotionally impactful scenes cost the same to shoot as averagely written ones; but they can make the difference […]Read More Emotional Distancing
Why directors make their mark ☛ One thing that distinguishes many successful directors is their tendency to leave their own personal stamp on a film. From Woody Allen to Ken Loach, Spike Lee to Tarantino, directors whose names we know often give their films such a distinctive feel that, were we to be dropped into […]Read More Directorial Style
Cutting on Location ☛ I’ve written before about the advantages of cutting during the shoot, but on my last job – a lovely British feature called Me, Myself & Di – I went a step further and was cutting on location with the crew. I learnt some interesting things to share with you. To clarify, […]Read More Don’t Forget to Pack Your Editor
As camera resolutions improve and file sizes increase, filmmakers need more and bigger hard drives. But we have a variety of requirements of a device to store our media, for example: It needs to have the capacity to hold a lot of very large files. It needs to have a fast read speed, so […]Read More PRODUCT REVIEW G-Drive mobile SSD Rugged
The Art of the Flashback ☛ Flashbacks are on my mind at the moment. I’m currently working on two feature projects – one as writer, the other as editor – which are structured around multiple time periods, so my brain has got well-used to jumping around in time. Flashbacks are pretty common these days, but […]Read More How to Travel in Time
How many takes to shoot ☛ “One for Lloyds…” is a phrase often heard on movie sets in the UK. It means shooting a second take, even if take one was perfect; y’know, just in case. Lloyds is the centre of the British insurance market – I believe their policies once demanded that a minimum of […]Read More “One for Lloyds”?
…and When You Should Stop ☛ One question that I’m often asked when interviewing for a low-budget feature is: “how long do you think you’ll need?” The answer is… it’s complicated. There used to be a rule of thumb for feature films: 1.5 times the length of the shoot. This was based on the assumption […]Read More How Long You’ll Need to Edit…
When is a good actor not a good actor? ☛ A weird thing sometimes happens when two or more people sit down in a cutting room and look through takes. They will agree on which take has the smoothest camera move or focus pull, there’ll be little disagreement about whether the shoot looks better with […]Read More Brando recognition
How to Make your Protagonist Engaging I don’t think I’m the only screenwriter to be frustrated when I’m given the note “Couldn’t the main character be… just a bit more likeable?” My frustration comes partly from the fact that a lot of my protagonists are intentionally not conventionally likeable, and partly from the note having […]Read More The Root of Rootability
Which lens to use? ☛ The internet is full of advice about which lens is the sharpest or the fastest or the best value for money. Less is said, however, about which focal length to use and when; most people simply adjust the zoom until the shot feels right. A valid approach if time is […]Read More Does your lens policy need renewing?