How to Travel in Time

The Art of the Flashback ☛ Flashbacks are on my mind at the moment. I’m currently working on two feature projects – one as writer, the other as editor – which are structured around multiple time periods, so my brain has got well-used to jumping around in time. Flashbacks are pretty common these days, but […]

“One for Lloyds”?

How many takes to shoot ☛ “One for Lloyds…” is a phrase often heard on movie sets in the UK. It means shooting a second take, even if take one was perfect; y’know, just in case. Lloyds is the centre of the British insurance market – I believe their policies once demanded that a minimum of […]

How Long You’ll Need to Edit…

…and When You Should Stop ☛ One question that I’m often asked when interviewing for a low-budget feature is: “how long do you think you’ll need?” The answer is… it’s complicated. There used to be a rule of thumb for feature films: 1.5 times the length of the shoot. This was based on the assumption […]

“Basically the audience is stupid”

“You and I know that basically the audience is stupid” these were the words of a client I once worked with. It was not the only time I’d heard this sentiment; I don’t get to hear it much, but when I do it usually comes from someone who’s been in the film industry for thirty […]

Brando recognition

When is a good actor not a good actor? ☛ A weird thing sometimes happens when two or more people sit down in a cutting room and look through takes. They will agree on which take has the smoothest camera move or focus pull, there’ll be little disagreement about whether the shoot looks better with […]

The Invisible Art of Editing?

Invisible vs. high-profile editing I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of […]

Inspiring Belief

An Editor’s Guide to Working with a Director ☛ Last time I wrote about how directors should approach working with an editor, this time the shoe is on the other foot. A lot is written online about how editors should work with their editing software – hints and tips. Books on editing have much to […]

The Way of the Scissor People

How to Work with an Editor ☛ I wrote some time back encouraging directors to work with editors, rather than cutting their own material. My colleagues in the cutting room report that they are working with an increasing number of directors who are using an editor for the first time. Needless to say these first […]

Credits Where They’re Due

Editing tips # 2: Preparing a title sequence Much has been written on the art of the title sequence, and I plan to cover it myself at some time, but first I thought it might be useful to provide a more practical guide to designing a title sequence. As the assistant editor on features, […]

Has a Line Been Crossed?

Directing tip # 1: Crossing the Line The first rule of filmmaking most students learn in film school is ‘don’t cross the line’. I’ve met those who see this rule as one of the few inviolable principles of directing for the edit, and others who think that movie grammar has outgrown this quaint prohibition. I’m […]