The Hateful One

How Did Harvey Happen? It should go without saying that I deplore those incidents of abuse against women that Harvey Weinstein’s admitted to, and those of which he’s been accused, but it’s gone without saying by too many people for too long, so I feel the need to add my voice. What does it say … Continue reading

Can movies cause political change?

Covering how to found a country and the devastating power of the ordinary. In the light of recent and possible future events I have been doing some soul-searching about my filmmaking. The not-so-gradual rise of the far right, both in Europe and America, has lead me to question whether there’s more I could be doing … Continue reading

What a Feature Film Editor Does

Apart From, y’know, Edit  ☛ I’ve written much in the past about the art and craft of narrative editing, so I thought I’d focus for a change on the parts of the job that aren’t putting shots together. What follows applies specifically to drama feature film editors. I’m also assuming that the feature film editor … Continue reading

Writing Movies Within Your Means, pt. 2

Writing Lighting ☛   In my previous piece I discussed how decisions about the location of your screenplay can help bring the budget down. This time I’ll focus on how your general approach to story can save you money on camera and lighting. Time was that picture quality was the first thing that would tell … Continue reading

Writing Movies Within Your Means, pt. 1

Forget Set and Go ☛ Film is one of the most expensive art-forms, which means getting films made is hard. One way for screenwriters to get their scripts noticed, and for writer/directors to get their first feature made, is to build affordability into the script. The challenge is that with each element you remove from … Continue reading

Film Themes

The importance of theme ☛ I wrote a piece a little time back about the essential elements of any cinematic story, where I claimed that one of the basic building blocks is ‘theme’. At the time discussion of theme got drowned out by arguments about act structure, but I think that there’s more to say … Continue reading

Why we Need to Write Weaker Female Characters

Why we Struggle to Write Good Parts for Women ☛ I had a discussion online the other day with actress Alice Lowe about the portrayal of women on screen. The place of women in the film industry, on-screen and off, is something of a hot topic following the woeful under-representation of women at this year’s … Continue reading

PRODUCT REVIEW: ‘FilmConvert’ Film Emulation Software

Can Digital Really Look Like Film? ☛   Journalistic convention dictates that you review products when they’re brand new, but I’m taking the liberty of reviewing something that’s been around for a time. What can I say? It’s new to me. Be aware: this may get a little technical. FilmConvert is a bundle of software … Continue reading

Coming Soon, part II

How to make an industry trailer ☛ My last piece was about the trailers that show in cinemas, the ones the public gets to see. However, before a movie’s theatrical trailer or even its teaser has hit the big screen, there may have been a couple of promos already cut for that film. Indeed new … Continue reading

Coming Soon…

The art of the trailer ☛ I’ve always been a sucker for trailers. They invite you to experience all the excitement of a feature film in a couple of minutes, and you get to fill in the gaps with your imagination. As a kid I often found them more fulfilling than the film I’d come … Continue reading

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