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  • About Guy

    Aspiring writer/director and for some time now professional film editor.
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621683-alien3_threat

Why we Need to Write Weaker Female Characters

Why we Struggle to Write Good Parts for Women ☛ I had a discussion online the other day with actress Alice Lowe about the portrayal of women on screen. The place of women in the film industry, on-screen and off, is something of a hot topic following the woeful under-representation of women at this year’s … Continue reading

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Credits Where They’re Due

Editing tips # 2: Preparing a title sequence   Much has been written on the art of the title sequence, and I plan to cover it myself at some time, but first I thought it might be useful to provide a more practical guide to designing a title sequence. As the assistant editor on features, … Continue reading

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FilmConvert2

PRODUCT REVIEW: ‘FilmConvert’ Film Emulation Software

Can Digital Really Look Like Film? ☛   Journalistic convention dictates that you review products when they’re brand new, but I’m taking the liberty of reviewing something that’s been around for a time. What can I say? It’s new to me. Be aware: this may get a little technical. FilmConvert is a bundle of software … Continue reading

WSKTOW

Has a Line Been Crossed?

Directing tip # 1: Crossing the Line The first rule of filmmaking most students learn in film school is ‘don’t cross the line’. I’ve met those who see this rule as one of the few inviolable principles of directing for the edit, and others who think that movie grammar has outgrown this quaint prohibition. I’m … Continue reading

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Rule of Thumbnail

Screenwriting tip #1: How to Introduce Characters in your Script   For an unknown screenwriter it’s always a struggle getting a person of influence – an agent, a development executive, a producer  – to read your script. There’s a reason for this. When these readers do turn the title page bearing an unfamiliar name, all too … Continue reading

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Jump Around!

Editing tip # 1: Jump cuts Regular readers may be wondering about the recent silence from the Cutting Room Floor: I can report that an exceptional run of work has stopped play. I’m working hard editing a feature film called We Still Kill the Old Way directed by my friend and colleague Sacha Bennett. In … Continue reading

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Coming Soon, part II

How to make an industry trailer ☛ My last piece was about the trailers that show in cinemas, the ones the public gets to see. However, before a movie’s theatrical trailer or even its teaser has hit the big screen, there may have been a couple of promos already cut for that film. Indeed new … Continue reading

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Coming Soon…

The art of the trailer ☛ I’ve always been a sucker for trailers. They invite you to experience all the excitement of a feature film in a couple of minutes, and you get to fill in the gaps with your imagination. As a kid I often found them more fulfilling than the film I’d come … Continue reading

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Left Hanging

The Art of the Open Ending ☛ Nothing guarantees a good post-movie discussion like an open ending. Some of us love up-in-the-air endings, others hate them, but what are they there for? What do they say? Given this subject matter, be warned: there will be spoilers, but I’ll try to keep them to a minimum. … Continue reading

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