Why directors make their mark ☛ One thing that distinguishes many successful directors is their tendency to leave their own personal stamp on a film. From Woody Allen to Ken Loach, Spike Lee to Tarantino, directors whose names we know often give their films such a distinctive feel that, were we to be dropped into […]Read More Directorial Style
Listen Marty, some friends of ours—not me—are concerned about what you’ve been saying recently. They’re very concerned. The guys at Marvel have asked me to tell you… ‘it is what it is’. [Apologies to those who haven’t yet seen The Irishman.] After Martin Scorsese doubled-down on his comments about Marvel films not being cinema in […]Read More Marty vs Marvel: the Flaw in the Argument
Cutting on Location ☛ I’ve written before about the advantages of cutting during the shoot, but on my last job – a lovely British feature called Me, Myself & Di – I went a step further and was cutting on location with the crew. I learnt some interesting things to share with you. To clarify, […]Read More Don’t Forget to Pack Your Editor
The Spielberg Supremacy ☛ Last week Steven Spielberg called for a tightening of the rules of the American Academy, which awards the Oscars, to prevent films like Roma, which is backed by Netflix, being eligible in future. Now BAFTA is also feeling the pressure, with two cinema chains – VUE and Cineworld – protesting over the eligibility […]Read More When is a Movie not a Movie?
How many takes to shoot ☛ “One for Lloyds…” is a phrase often heard on movie sets in the UK. It means shooting a second take, even if take one was perfect; y’know, just in case. Lloyds is the centre of the British insurance market – I believe their policies once demanded that a minimum of […]Read More “One for Lloyds”?
“You and I know that basically the audience is stupid” these were the words of a client I once worked with. It was not the only time I’d heard this sentiment; I don’t get to hear it much, but when I do it usually comes from someone who’s been in the film industry for thirty […]Read More “Basically the audience is stupid”
When is a good actor not a good actor? ☛ A weird thing sometimes happens when two or more people sit down in a cutting room and look through takes. They will agree on which take has the smoothest camera move or focus pull, there’ll be little disagreement about whether the shoot looks better with […]Read More Brando recognition
How Did Harvey Happen? ☛ It should go without saying that I deplore those incidents of abuse against women that Harvey Weinstein’s admitted to, and those of which he’s been accused, but it’s gone without saying by too many people for too long, so I feel the need to add my voice. What does it […]Read More The Hateful One
Invisible vs. high-profile editing I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of […]Read More The Invisible Art of Editing?
Covering how to found a country and the devastating power of the ordinary. In the light of recent and possible future events I have been doing some soul-searching about my filmmaking. The not-so-gradual rise of the far right, both in Europe and America, has lead me to question whether there’s more I could be doing […]Read More Can movies cause political change?