When is a Movie not a Movie?

The Spielberg Supremacy ☛ Last week Steven Spielberg called for a tightening of the rules of the American Academy, which awards the Oscars, to prevent films like Roma, which is backed by Netflix, being eligible in future. Now BAFTA is also feeling the pressure, with two cinema chains – VUE and Cineworld – protesting over the eligibility […]

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“One for Lloyds”?

How many takes to shoot ☛ “One for Lloyds…” is a phrase often heard on movie sets in the UK. It means shooting a second take, even if take one was perfect; y’know, just in case. Lloyds is the centre of the British insurance market – I believe their policies once demanded that a minimum of […]

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Brando recognition

When is a good actor not a good actor? ☛ A weird thing sometimes happens when two or more people sit down in a cutting room and look through takes. They will agree on which take has the smoothest camera move or focus pull, there’ll be little disagreement about whether the shoot looks better with […]

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The Hateful One

How Did Harvey Happen? ☛ It should go without saying that I deplore those incidents of abuse against women that Harvey Weinstein’s admitted to, and those of which he’s been accused, but it’s gone without saying by too many people for too long, so I feel the need to add my voice. What does it […]

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The Invisible Art of Editing?

Invisible vs. high-profile editing   I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of […]

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Can movies cause political change?

Covering how to found a country and the devastating power of the ordinary. In the light of recent and possible future events I have been doing some soul-searching about my filmmaking. The not-so-gradual rise of the far right, both in Europe and America, has lead me to question whether there’s more I could be doing […]

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What a Feature Film Editor Does

Apart From, y’know, Edit  ☛ I’ve written much in the past about the art and craft of narrative editing, so I thought I’d focus for a change on the parts of the job that aren’t putting shots together. What follows applies specifically to drama feature film editors. I’m also assuming that the feature film editor […]

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Conversations with the Invisible Man

Writing Movies Within Your Means, pt. 3 ☛ Previously I’ve looked at how locations can bring down your budget and how to justify shooting on cheaper cameras, but you can also save money through clever use of writing itself. Dialogue When asked why his movies were so dialogue–heavy, indie auteur Hal Hartley quipped “Talk’s cheap”. […]

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